The Adams Publications, Austin, Texas, The Voice of the Coyote. Paperback edition, University of Nebraska Press, The Ben Lilly Legend. The Mustangs. Tales of Old Time Texas. Up the Trail From Texas. I'll Tell You a Tale. Cow People. Some Part of Myself. Out of the Old Rock. Even though he seemed to embody conservative Texas's traditional values, he was never an easy man to pin down.
In the s he inducted J. Mason Brewer, an African American writer, promoting his work and career with equal fervor. As the United States began to pull out of the Great Depression, conservative political opposition to Roosevelt mounted into hysteria, and Dobie began to realize that abusive corporations, rather than the federal government, posed the larger threat to individual liberty.
Attacks by right-wing businessmen on academic freedom at the University of Texas made the battle personal for him, and at the age of fifty-three, Dobie came out fighting as a political liberal.
The transformation was remarkable. The person who once symbolized Texas provincialism began criticizing "Texas bragging that goes no deeper than the imitation felt of a big hat. By he was calling for the complete integration of the University of Texas.
Many old friends thought he had lost his mind, and many fans felt betrayed. Dobie never backed away from his convictions, and he continued to broaden his mind and sharpen his writing as he grew older. He ultimately realized the limitations of political activity, concluding that personal "enlightenment is the only answer. By the end of his life, Dobie overcame many—though not all—of his early limitations.
The epitaph he penned for his own tombstone sums up his life's journey: "I have come to value liberated minds as the supreme good of life on earth. Steve Davis gives us a much richer understanding of Dobie than we have had previously. Joe Frantz remarked that Dobie was "Texas' first liberated mind to achieve a wide audience and the first truly professional writer produced by the state" Third Coast Many Texas writers openly credit Dobie with giving them the inspiration not only to be a writer but also to feel comfortable using their home state as a subject.
There simply were no writers in Texas" Texas Observer Fred Gipson confided that he had never realized it was possible to live in Texas and be a writer until Dobie set the example Austin American Statesman B5. Publisher and screenwriter Bill Wittliff wrote Bertha on Dobie's death that "Dobie was the prime moving force of my life. The award provides money for writers and artists to work on their projects during a six month stay on Dobie's Paisano ranch in the hill country outside of Austin.
Bibliography: Dobie, J. Some Part of Myself. Tinkle, Lon. An American Original. For further information on Dobie and his work see: Dugger, Ronnie, ed. Three Men in Texas. Austin: University of Texas Press, McVicker, Mary Louise. The Writings of J. Frank Dobie: A Bibliography. Lawton, Ok: Museum of the Great Plains, Stone, Paul Clois. Frank Dobie and the American Folklore Movement. Yale University, For a history of the disposition of Dobie's manuscripts see: Holland, Richard.
Francis Edward Abernethy. Denton: University of North Texas Press, See Richard Holland's article in Corners of Texas cited above for a fuller description of the acquisition. This essay, then, is more helpful as a guide to the first part of the book, which treats each of these periods in turn, than to the last four parts of the book, which examine alternately Tejana and African-American writers, poets, dramatists, and a symposium on the larger topic of Texas women writers.
Separate short introductions at the beginning of each of these parts acclimate readers to the respective essays. The editors are bold in establishing their argument. They use the introduction to explain the dichotomy that exists between male and female Texas writers, with the former being creators and celebrators of the "Texas Mystique" and the latter being credited for "prod[ing] the Texas Mystique until they expose its less glittery underside" p.
Frank Dobie and Larry McMurtry come in for much of the criticism since they complain about "pink tea poets" and "old lady reviewers" respectively while often ignoring the accomplishments of Texas women p.
Dobie became secretary of the Texas Folklore Society, a position he held for 21 years. James Frank Dobie Dobie was a new kind of folklorist — a progressive activist. He called for UT to admit African-American students in the s — long before the administration favored integration.
He gave life to that heritage and informed generations of Texans about their rich history. This is the holiday book for any lover of authentic Austin culture. Waterloo Press. This book has been a long time coming. After all, the Driskill Hotel turned in
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Dallas: Dealey and Lowe. There are publicity photos, photos taken on Dobie's research trips, and pictures clipped for research. He turned history into literature and brought folklore to life. He died in The national branch examined the subject from an objective scholarly viewpoint while Dobie and his followers instead collected and presented folklore as a living, breathing, participatory endeavor. Dobie became secretary of the Texas Folklore Society, a position he held for 21 years. In this book, published in , they start with the cartel-driven carnage in Juarez, whose fate is woven closely into that of their city on the American side. Dobie resigned as editor in , when he left Texas to teach a year in Cambridge, England, but he continued as a participant in the society and his influence remains strong to this date.
We hope to expand on each of these five selections in with interviews, profiles and feature stories. Frank Dobie: A Liberated Mind. University of Texas Press.
Index Author: Steven L. The White House, April 25, Lyndon B. Johnson: Hello. Harry S.
Born in , Dobie came out of South Texas brush country with an abiding interest in cowboy yarns, legends of lost treasure, and tales of conquistadors, cattle drives and desert rats. Frank Dobie: A Liberated Mind. While in Oklahoma, he wrote for the Country Gentleman. He never saw action but was able to use the opportunity to see something of Europe. When the president's staff extended the invitation, Dobie turned them down, citing his poor health. Dobie resigned as editor in , when he left Texas to teach a year in Cambridge, England, but he continued as a participant in the society and his influence remains strong to this date.
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They are dynamic, dramatic, and full of movement. After looking at usage patterns, product costs and human tragedy, they conclude that the U. Dobie struggled at first to find his voice, but struck gold in the mass-market magazine trade that was hungry for adventure stories. There simply were no writers in Texas" Texas Observer
Then slowly read them, sometimes giving up altogether, then winding my way back to the stack. In , he enrolled in Southwestern University in Georgetown, Texas , where he was introduced to English poetry by a professor who urged him to become a writer. The matter of the authorship of A Vaquero of the Brush Country was ultimately resolved in this litigation between Young's descendants and the estate of J.
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The editors are bold in establishing their argument. A third volume comes out this fall from UT Press. Its stories are woven finely into the fabric of our shared culture. What makes the most notable of these truly special is the specific collaborative decisions that Dobie made for publication.
By the late s, Dobie discovered his mission: to record and publicize the disappearing folklore of Texas and the greater Southwest. His beloved ranch west of Austin was deeded to the University of Texas, which, along with the Texas Institute of Letters, manages a fellowship for selected Texas writers and artists. You come and eat with us.
Women's historians, Southern and Western historians, Texas historians, literary scholars, and social and cultural historians will all find material to stimulate their interests. He died in He had long ago forsworn getting his doctoral degree, famously observing, "The average Ph. One can certainly ignore Dobie and still understand Texas. After his death, an old friend of Dobie's, Kate O'Connor, reached for her copy of his book The Longhorns , which had been published some twenty years earlier.
I'll Tell You a Tale. Dobie's second book, Coronado's Children, received national attention and broadened substantially the Texas writer's audience. Also in our collection is an original Lea sketch from the book that was given to Dobie from the artist himself. In a Narrow Grave: Essays on Texas. They use statistics efficiently and effectively, but also share well-chosen anecdotes that illustrate their main argument: At the very least, end the prohibition on marijuana. Instead of spinning out a conventional narrative, he develops key themes, such as political writing, magic shows or cabaret material, then captures the jagged, improvisational feel of the troupe through scattered but very cogent snippets.
He had long ago forsworn getting his doctoral degree, famously observing, "The average Ph. The bulk of the correspondence is from her mother and mentions Dobie, his work, and his trips to Mexico. Mason Brewer, an African American writer, promoting his work and career with equal fervor. He used the ranch as a writer's retreat until his death in Prior to Dobie's time, academics were expected to publish narrow treatises, primarily for the benefit of other scholars.
The next set of files, entitled Graduate Education, contains class notes, the Masters thesis, theater programs and newspaper clippings from Dobie's Columbia University days. A few of the clippings concern Roy Bedichek or Edgar Kincaid. He also mentored Hispanic and African-American folklorists, although he broke with the social scientists in the field who insisted on undiluted field notes rather than lovingly burnished stories. The intersections between this new mode of analysis and more tradition-bound fields like state and local history are even more recent.
For other permission, please contact hbooks mail. The next subseries, Magazine Articles, includes the typescript of Dobie's first nationally published article for The Country Gentleman. Since , more and more Americans across the political spectrum have agreed with them at the ballot box.
Edgar Kincaid's family records and photographs of Kincaid at a book signing for The Bird Life of Texas are also present. They use the introduction to explain the dichotomy that exists between male and female Texas writers, with the former being creators and celebrators of the "Texas Mystique" and the latter being credited for "prod[ing] the Texas Mystique until they expose its less glittery underside" p. He deals with it all: The big shots, the bumpy ownership and management, the violence, the existential threats to this adored Austin institution. Born in , Dobie came out of South Texas brush country with an abiding interest in cowboy yarns, legends of lost treasure, and tales of conquistadors, cattle drives and desert rats. An American Original. Austin: University of Texas Press,
Frank Dobie. Papers file photo. Born inDobie came out of Writing Texas brush country with an abiding interest in cowboy yarns, legends of lost treasure, and tales of conquistadors, cattle drives nature desert rats. Dobie struggled at write essays on paintings of jesus to find his dobie, but struck gold in the mass-market magazine trade that was hungry for adventure stories. He then expanded those articles, sometimes scantily, into two style books.
Through all this activity, Dobie remained based at the University of Texas in Austin. Contact the archivist for the latest information on our holdings. Dobie vehemently took issue with the choice and expressed his views publicly by radio and newspaper.
Out of the Old Rock. Tongues of the Monte. In the s he inducted J. Austin: The Encino Press, As a diehard bibliophile, I was dazzled.
The subsequent magazine articles cover various topics of interest to Dobie--cowboy life, Mexico, herbs, animals, reading, literature, etc.