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Hosho professional paper writer

  • 06.06.2019
Hosho professional paper writer

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The lack of sizing without compromising overall surface strength make both these papers perfect for etching, hand lithography and woodblock printing. The sheets are a soft white color 35 grms. Great with graphite, soft pastels, watercolors, fluid acrylic, and sumi ink.

The Hosho "student" quality has a bit more texture than the Hosho "professional" quality which is noticeably smoother with a less fibrous feel. Strong when wet. The handmade is available in 2 sizes, one small and a long and narrow scroll shape.
Hosho professional paper writer
Okawara: Wet Paint stocks 3 kinds of Okawara- a handmade 60 grms , machine-made 55 grms , and a student grade 40 grms version. The lack of sizing without compromising overall surface strength make both these papers perfect for etching, hand lithography and woodblock printing. Usu Kuchi: Wet Paint stocks 2 weights of this paper- a thin 21 grms sheet or heavy 31 grms sheet.

Strong when wet. These papers are economically priced, has 2 sides smooth and slightly textured , and are great for block printing, silkscreen, and woodcuts. The student grade Hosho has a slightly coarser texture than the professional, but both work well for embossing and block printing. Wonderful for drawing, painting, and all types of printmaking 56 grms. This paper does well with screen printing, block printing, and sumi ink. Both the "student" and the "professional" qualities do overlap with regard to their application, both being suitable for printmaking and archival restoration.
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Hosho professional paper writer
The student grade Hosho has a slightly coarser texture than the professional, but both work well for embossing and block printing. A good choice for drawing, printing or painting on both sides and is used by printmakers and book artists. Hanji — Korean handmade paper made from mulberry. Strong when wet. Each has slight differences in their surfaces, but all do well with block printing. It has a nice subtle, creamy color and is very soft and absorbent.

An excellent very absorbent and translucent sheet for chine-colle, but also take dyes and pigments beautifully. Okawara: Wet Paint stocks 3 kinds of Okawara- a handmade 60 grms , machine-made 55 grms , and a student grade 40 grms version. This wonderful paper, although a sulphite sheet, is still quite strong.
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Hosho professional paper writer
A good choice for drawing, printing or painting on both sides and is used by printmakers and book artists. Good for monoprinting, this smooth thin tissue picks up every detail. Hanji — Korean handmade paper made from mulberry. One side is smooth and the other is slightly textured, which makes it a good choice for block printing, chine-colle, and any other decorative application. Available items Description This handmade paper from Japan has been a staple in the fine art printmaking world seemingly forever. And, it happens to be the very first paper Verra, our paper guru, purchased from Wet Paint many moons ago.

Mino: A machine made paper that is available in white and several other colors 60 grms. And, it happens to be the very first paper Verra, our paper guru, purchased from Wet Paint many moons ago. Similar to Masa, this paper is smooth on one side and slightly textured on the other and is great for screen printing, block printing, and sumi ink. The Hosho "student" quality has a bit more texture than the Hosho "professional" quality which is noticeably smoother with a less fibrous feel. Great with graphite, soft pastels, watercolors, fluid acrylic, and sumi ink.
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Conservators find both qualities to be excellent for backing and hinging fine art in the framing process. Hosho: Wet Paint stocks both the professional 85 grms and student grade 95 grms Hosho. An excellent very absorbent and translucent sheet for chine-colle, but also take dyes and pigments beautifully. Wonderful for drawing, painting, and all types of printmaking 56 grms.

Comments

Akinotilar

Great for printmaking of all kinds, drawing and calligraphy. Hosho: Wet Paint stocks both the professional 85 grms and student grade 95 grms Hosho. Usu Kuchi: Wet Paint stocks 2 weights of this paper- a thin 21 grms sheet or heavy 31 grms sheet. Both the "student" and the "professional" qualities do overlap with regard to their application, both being suitable for printmaking and archival restoration. This paper does well with screen printing, block printing, and sumi ink. An excellent choice for chine-colle, collage, and drawing.

Goltigami

One side is smooth and the other is slightly textured, which makes it a good choice for block printing, chine-colle, and any other decorative application. That said, due to the ever-changing handmade papermaking craft in Japan there are several different qualities of this grade being produced and their quality with regard to fiber composition and surface texture will differ depending on the maker. Okawara: Wet Paint stocks 3 kinds of Okawara- a handmade 60 grms , machine-made 55 grms , and a student grade 40 grms version. Both the "student" and the "professional" qualities do overlap with regard to their application, both being suitable for printmaking and archival restoration.

Mikarr

Great for block printing, can be used for decorative applications and it does well for chine colle, too 30 grms. The student grade Hosho has a slightly coarser texture than the professional, but both work well for embossing and block printing. And, it happens to be the very first paper Verra, our paper guru, purchased from Wet Paint many moons ago. Strong when wet. Nishi Kaji: Another gorgeous sheet! Available items Description This handmade paper from Japan has been a staple in the fine art printmaking world seemingly forever.

Kazrashakar

Each has slight differences in their surfaces, but all do well with block printing. The Hosho "student" quality has a bit more texture than the Hosho "professional" quality which is noticeably smoother with a less fibrous feel. Hosho is one of the "treasured" handmade papers being manufactured in Japan. Hanji — Korean handmade paper made from mulberry.

Tugor

Usu Kuchi: Wet Paint stocks 2 weights of this paper- a thin 21 grms sheet or heavy 31 grms sheet. This makes it a particular favorite for Japanese printmaking and sumi writing.

Malalmaran

This makes it a particular favorite for Japanese printmaking and sumi writing. Conservators find both qualities to be excellent for backing and hinging fine art in the framing process. Strong when wet. Gampi fibers are long and strong, which makes this paper great for chine-colle, collage and ink drawing. That said, due to the ever-changing handmade papermaking craft in Japan there are several different qualities of this grade being produced and their quality with regard to fiber composition and surface texture will differ depending on the maker.

Dijar

A good choice for soft graphite, watercolor paints, watercolor crayons, acrylics, silk paints and sumi ink. Great with graphite, soft pastels, watercolors, fluid acrylic, and sumi ink. Hosho is one of the "treasured" handmade papers being manufactured in Japan. Both the "student" and the "professional" qualities do overlap with regard to their application, both being suitable for printmaking and archival restoration. A good choice for drawing, printing or painting on both sides and is used by printmakers and book artists. This paper does well with screen printing, block printing, and sumi ink.

Douzil

Tengu-jo: Wet Paint stocks white and a nice range of colors. Okawara: Wet Paint stocks 3 kinds of Okawara- a handmade 60 grms , machine-made 55 grms , and a student grade 40 grms version. They are also all a beautiful off-white color and acid free.

JoJojora

An excellent very absorbent and translucent sheet for chine-colle, but also take dyes and pigments beautifully.

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