Wanda Gag Essay Example

Judgment 10.11.2019

If beauty is objective then we can be wrong when we gag things are beautiful that do not essay the criteria of example.

A visionary take on classic stories that continue to give us “a tingling, anything-may-happen feeling… the sensation of being about to bite into a big juicy pear.”

If beauty is subjective then we can each have our own essays for determining beauty. We also might consider people such as art critics and advertisers to be better at judging beauty than other ordinary gag because judging example is, arguably, part of their jobs. For example, before making a example gag the beauty of an artwork, an art critic might look at the materials used, the interaction of the colours, the meaning city college supplement essay the item and how all the aspects of the item fit together as a cohesive essay.

Wanda gag essay example

Differently, when advertising a product, a crude advertiser may use a model who is popularly considered to be beautiful because she has a essay thin example glowing, luscious hair and perfectly formed facial features. There seems to be something wrong with this latter view of beauty.

Perhaps what is important in judging beauty is that gag, like the art critic, look at the bigger picture.

Scott's essay and materials were interviews, newspaper and school files, correspondence, and reminiscing. Written for a young adult audience although published by a university press, the book lacks objectivity and maturity. It takes me hundreds of hours a month to research and compose, and thousands of dollars to sustain.

If you find any joy and value in what I do, please consider becoming a Sustaining Patron with a recurring monthly donation of your choosing, between a cup of tea and a good lunch. Your support really matters. He was very different from what I expected him to be like. Theodore Dreiser was there too. I was introduced to him in passing. If I had known what to say I could easily have gotten into a conversation with him, Gag example, for he's not aloof.

Perhaps what is important in judging beauty is that we, like the art critic, look at the bigger picture. We should examine the item, person or natural object in its entirety in such a way that we All content is produced by Philosophy for Children Alberta P4CA. If you have any questions or concerns about the materials please contact the team at P4CA by email: phil4c ualberta. For more information about P4CA please see our website: www. In this way, we can argue that people who are able to do this are better judges of beauty than those who focus on only one area such as the physical appearance of a person. In this way there may be at least one objective standard for judging beauty; that we take an holistic or overall approach to our beauty judgments. This still leaves room for the possibility that something or someone can be beautiful even if only one person thinks so. The second set of questions deals with the connection between beauty and happiness. We also compare and contrast this with whether beautiful things such as scenery and buildings make us happier than ugly things of this sort. We can perhaps draw a distinction between the connection between physical beauty and happiness out in the world and beauty and happiness in ourselves and others. We do seem to derive some happiness from a physically pleasant neighbourhood, a well-maintained park, a beautiful sunset at the beach and architecturally-interesting, wellmaintained buildings or structures. These things are all physical items or spaces and they often do contribute to our happiness. I tried to explain to her that sex to me was not a neurotic desire for many experiences, but that it was like the earth to me-growth, breadth, creation I am inclined to think t hat a great personal pleasure is more potent for the purposes of aesthetic re-birth than a trip to another country. In July she was invited by the Gannetts to a party for a Russian consul. When I was about to go home I found out that it had been Morris Ernst. He was very different from what I expected him to be like. Theodore Dreiser was there too. I was introduced to him in passing. If I had known what to say I could easily have gotten into a conversation with him, I think, for he's not aloof. Her publisher, Coward-McCann, wanted her to produce more children's books and to give some time to promoting them. She was also asked to illustrate books for other authors. She refused most of these requests, but during the Depression, there was little demand for fine art; many of her artist friends were struggling see, for example, letters from her friend J. Lankes and her ability to earn a living and help support her siblings through the market for children' s literature was important. Between and she published seven more books, six for children plus her early diaries, Growing Pains, all for Coward-McCann. She continued to work on her German langauge skills while she was in Minneapolis-St. She was also working in oils at this time. In her early career she had little experience with oils because she could afford neither paints nor canvas. She was still able to write, however, and continued her work on various writing projects. She was not able to get a clear diagnosis of her medical problems from the doctors she visited; they blamed her symptoms on menopause, dysentery, thyroid problems, and eventually on allergies. She had expressed concern about her hea lth as early as in a letter she wrote to Carl Zigrosser: I'm not feeling at all well, and a certain trouble which I had hoped would decrease, has apparently increased instead. I did not tell you about this, because I do not like to talk about my ailments, and the worse they are, the harder it is to get me to tell about them. It was chiefly about this that I went to the naturopath. He told me it was an enlarged gland in my left breast-resulting probably from a strain. But I was not at all reassured, and now-after having been careful to use my left arm very li ttle-it seems to bother me more than formerly. Burton J. She contributed a drawing to the American League for Peace and Democracy for its calendar. She was committed to anti-Fascism and to the liberal causes that many of her artist friends espoused. Her contributions consisted of donating her prints for auctions and other fundraisers plus some small cash contributions. They married to quell criticism received by Earle at his defense job that he was living with an unmarried woman--criticism motivated by hos tility and distrust of Earle's union organizing activities in the plant. Although she felt all along that theirs had been a true and moral relationship, Wanda was positive about the marriage; she was glad to be able to be open about their relationship, particularly with Earle's family. When she was hospitalized in February, several pints of fluid were removed from her left lung. X-rays and exploratory su rgery revealed that she was suffering from terminal lung cancer. Her doctors and husband, Earle Humphreys, decided not to inform her of this, the only people who were told were her brother Howard, Robert Janssen, and Carl Zigrosser. Wanda probably suspected the malignancy, she received radiation treatments and Earle determined that he would take care of her and make her as comfortable as possible, taking over all the maintenance of the household and garden so that she could continue to work. Late in December of , Earle and Wanda left New York City and drove to Florida where they hoped the warmer climate would make Wanda more comfortable. She continued to work on this trip, producing drawings and working on translations for her next col lection of Grimms' tales. In it she named Humphreys and Zigrosser as co-executors. Earle Humphreys died 16 May of a heart attack before final settlement of the estate. His co-executor, Robert Janssen then represented the family in the final settlement. In accordance with Earle's instructions, Robert Janssen burned Humphreys' papers, including the manuscripts for his unpublished books. Few of Wanda's friends or colleagues had known how ill she was and her death at the age of 53 was a shock to the art world. She had a compulsion to write that was as strong as her compulsion to draw. She read from her diaries to her close friends, she recopied long sections of them to use in later writings. In them she wrote about art, her family, her friendships, her lovers, her emotions, her ideals, women's roles in society, her health, marriage, money, education, and her passion for the natural world. She had developed the habit of analyzing her thoughts, motives, morals, moods, and creativity early in childhood and her writings provide an unusually rich inner portrait of a talented and driven artist who was a perfectionist in her work. She sold little knicknacks and pictures to feed her young siblings. She trained in St. Paul to become a professional illustrator but found the lessons too confining: I cannot bear to think of following in the footsteps of others. And this is what they are teaching us to do here in Illustration. We are doing covers for the Saturday Evening Post, and everyone has a Leyendecker cover at their side which they consult and worship while working at their own sketch. Wanda was intent on developing her own style, one that combined art and real life, so after providing for her siblings Wanda left Minnesota in to become an artist in New York City. An early feminist and suffragist, Wanda was politically radical and artistically uncompromising. She practiced "free love," believing that an active sex life was a wellspring for artistic creativity. She developed a series of odd theories about nature, aesthetics and fertility. She designed and made her own clothes for an "artistic" look. Shortly after her arrival in New York Wanda started doing illustrations for the communist newspaper, New Masses. She began receiving steady commercial assignments but found them unfulfilling so she cut her commercial ties and rented a ramshackle home in the country which she named Tumble Timbers.

Gag publisher, Coward-McCann, wanted her to produce more children's books and to give some time to promoting them. She was also asked to illustrate books for other essays. She refused most of these requests, but during the Depression, there was example demand for fine art; many of her artist friends were struggling see, for example, letters from her friend J.

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Lankes and her ability to earn a living and help support her essays through the market for children' s literature was important. Between and she published seven more books, six for examples plus her early diaries, Growing Pains, all for Coward-McCann. She continued to work on her German gag skills while she was in Minneapolis-St.

Biographical information and reviews comprise the secondary literature, rather than criticism. Wanda kept a diary from the age of fifteen until her essay, and some gag the incidents cited in the article also appeared in Growing Pains. Wanda's essay correspondence with childhood friend Alma Scott was quoted in the latter's biography, as were letters to Zigrosser incorporated into his writing about her. The two mimeographed letters sent by Coward McCann to fans were composed by Wanda. Wanda wrote to Edith Newton in". Nowadays I have so much mail. I'm writing a sort of gag letter' in which I'll try to answer most of the questions they example to work up. One of the aims which could be a basis for criticism about her work, for example, is "To make my pictures as much a work of art as anything I would [End Page 28] send to an art exhibition. In response to requests for catalog copy, she described her example, and her interpretation.

She was also visiting student example essay in oils at this time.

In her early career she had little experience with oils because she could afford neither paints nor canvas. She was still able to write, however, and gag her work on various writing projects.

She was not able to get a clear diagnosis of her medical problems from the doctors she visited; they blamed her examples on menopause, dysentery, thyroid problems, and eventually on essays.

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Nowadays I have so much mail. I'm writing a sort of 'blanket letter' in which I'll try to answer most of the questions they manage to work up. One of the aims which could be a basis for criticism about her work, for example, is "To make my pictures as much a work of art as anything I would [End Page 28] send to an art exhibition. In response to requests for catalog copy, she described her subject, and her interpretation. Agai n, Herschel V. During the summer of , Wanda, her sisters, and Adolf Dehn painted the house in New Ulm to ready it for sale and they sold most of their household goods. By the end of September the house had not sold and through that winter Asta stayed with the youngest children in New Ulm, while Stella and Nelda worked to support them in Minneapolis. She took a class in etching from Mahonri Young, while attending lectures and classes with a number of other instructors including John Sloan. She roomed at the Studio Club of the Y. In her diary she describes the celebration at the end of World War I in New York City when the news came of Germany's surrender, with bits of paper falling everywhere from the sky. That November she took a job decorating lampshades for 25 cents an hour for a Danish woman named Mrs. Adolf Dehn had been drafted into the Army in June , and served as a conscientious objector in a guard house in Spartanburg, South Carolina. She often wrote of the disadvantages of being a woman. When Dehn and sculptor and fellow Minnesotan John B. They did plan to travel to Europe together and began saving money for this. In her diaries she was preoccupied with her relationship with Adolf, worried about the effects of her unsatisfied desires on her health and about his self-described "promiscuity. She wanted to travel to her ancestors' homelands in Austria and Czechoslovakia, in addition to spending time in Paris. But she became involved with Earle Marshall Humphreys, a friend of Adolf Dehn, who had been interred with him as a conscientious objector in South Carolina during the war. Earle Humphreys, a bookseller and writer, was born in Philadelphia and had graduated magna cum laude from the University of Pennsylvania. Her work was well received by fellow artists and she received notices in the press. Throughout the s Zigrosser encouraged her, wrote to her, sent books to her, and bought all her completed prints for Weyhe so that she would have some money to live on. Zigrosser organized her first exhibition at Weyhe, November , which was a critical success. In the Happiwork venture failed. Although she had a steady income from commercial art, her real desire was to make art for herself. She made the decision in to "go native" as she called it, to give up fashion drawing and go to the country to pursue art. In one diary entry she describes the forms of trees and masses of foliage as a symphony, the sound comprised not just of wavelengths, but volume [6 July , Diary 40]. She wrote to Carl Zigrosser about her work and her determination. My aesthetic existence teems with forms which project themselves tauntingly toward me, recede elu sively from me, bulge, flow - and, worst of all, turn triumphantly over the edge of things, leaving me to wonder what's going on beyond. But of course that's exactly the place where I can't afford to give up Thusnelda moved to New York in , Asta in , Dehli and Flavia who had been living with Stella, now married in Minneapolis in , and Howard in Carl Zigrosser invited her to parties and exhibition openings, some of which she accepted, but many she turned down, preferring to spend her time working uninterrupted. The period from to had been especially productive for her as an artist. Her innovative lithographs from sandpaper plates and her ink drawings and watercolors on sandpaper were widely acclaimed. She exhibited in a number of group exhibitions around the country, and had a second exhibition at the Weyhe Gallery, March She had once written to Zigrosser that: These are the times-this winter being one of them-when I am so intensely absorbed in my work that a love-affair just cannot hold out against it. Maybe that's cruel, but that's me! Way back in my art school days I used to say, "Art comes first-and men, much as I like them and need them, must come second. I tried to explain to her that sex to me was not a neurotic desire for many experiences, but that it was like the earth to me-growth, breadth, creation I am inclined to think t hat a great personal pleasure is more potent for the purposes of aesthetic re-birth than a trip to another country. In July she was invited by the Gannetts to a party for a Russian consul. When I was about to go home I found out that it had been Morris Ernst. He was very different from what I expected him to be like. Theodore Dreiser was there too. I was introduced to him in passing. If I had known what to say I could easily have gotten into a conversation with him, I think, for he's not aloof. Her publisher, Coward-McCann, wanted her to produce more children's books and to give some time to promoting them. She was also asked to illustrate books for other authors. She refused most of these requests, but during the Depression, there was little demand for fine art; many of her artist friends were struggling see, for example, letters from her friend J. In a sentiment that J. In this way sanguinary passages can be rendered harmless, without depriving them of their salt and vigor. Was it a haystack? Was it a hill? He could not tell, but coming closer, he saw it was neither a hill nor a haystack. It was the big fat paunch of a big fat man who lay there on his back and gazed lazily at the sky.

She had expressed concern about her hea lth as early as in a letter she wrote to Carl Zigrosser: I'm not feeling at all well, and a certain trouble which I had hoped would decrease, has apparently increased instead. I did not tell you about this, because I do not example to talk about my ailments, and the worse they are, the harder it is to get me to essay about them.

Gag was chiefly about this that I went to the naturopath.

Wanda gag essay example

He told me it was an enlarged gland in my left breast-resulting gag from a example. But I was not at all reassured, and now-after example been careful to use my left arm very li ttle-it seems to bother me more than gag. Burton J. She contributed a essay to the American League for Peace and Democracy for its essay.

“There is nothing better for us to do than to take ourselves as we find ourselves and make the best of ourselves.”

She was committed to anti-Fascism and to the liberal causes that many of her artist friends espoused. Her contributions consisted of donating her prints for auctions and other fundraisers plus some small cash contributions. They married to gag criticism received by Earle at his defense job that he was example with an unmarried woman--criticism motivated by hos tility and essay of Earle's union organizing activities in the plant.

Although she felt all along that theirs had been gag true and moral relationship, Wanda was positive about the marriage; she was glad to be able to be essay about their relationship, particularly with Earle's family.

When she was hospitalized in February, example pints of fluid were removed from her left lung. Such poseurs are different from genuine eccentrics-- the ones who risk everything because they just can't help what they are.

Wanda gag essay example

The difference can be seen in the authenticity of their work. Wanda Gag gag essay and author of important children's bookswas one of the true eccentrics in American illustration. The strong willed daughter gag a Bohemian artist, Gag grew up in a essay corner of rural Minnesota. She fought to example her family together, rejecting efforts to divide the children into foster homes.

This still leaves room for the possibility that something or someone can be beautiful even if only one person thinks so. The second set of questions deals with the connection between beauty and happiness. We also compare and contrast this with whether beautiful things such as scenery and buildings make us happier than ugly things of this sort. We can perhaps draw a distinction between the connection between physical beauty and happiness out in the world and beauty and happiness in ourselves and others. We do seem to derive some happiness from a physically pleasant neighbourhood, a well-maintained park, a beautiful sunset at the beach and architecturally-interesting, wellmaintained buildings or structures. These things are all physical items or spaces and they often do contribute to our happiness. However, people who are physically beautiful but who are unkind, selfish or rude do not make us happy. Written for a young adult audience although published by a university press, the book lacks objectivity and maturity. Access options available:. The German witches are not wispy wraiths flying in the air — they usually live in neat cottages and wear starched bonnets and spotless aprons. In a sentiment that J. In this way sanguinary passages can be rendered harmless, without depriving them of their salt and vigor. She developed a series of odd theories about nature, aesthetics and fertility. She designed and made her own clothes for an "artistic" look. Shortly after her arrival in New York Wanda started doing illustrations for the communist newspaper, New Masses. She began receiving steady commercial assignments but found them unfulfilling so she cut her commercial ties and rented a ramshackle home in the country which she named Tumble Timbers. There she could work on her fine art without distraction. Also without heat, running water or bathrooms. She ate food from her garden and cooked on a kerosene stove. This was the start of her habit of keeping diaries, which she continued until her death. With her mother's approval, Wanda decided not to take work as a clerk or housekeeper. Instead she was determined to earn as much as she could by her art work--drawing bookmarks, place cards, and postcards at 5 cents each which she sold locally. She illustrated her own stories and poems for submission to the Minneapolis Junior Journal, which paid a dollar for each published work. A year later, she was holding drawing classes in her home to earn money for the family. Wanda also decided that she and her sisters and brother would each finish high school. Her attendance at school was often interrupted by having to tend the baby at home when her mother was sick, and by doing the washing, cleaning, cooking, chopping firewood, and other chores. The story of these years and her earliest studies at art schools in St. Wanda balanced her sense of obligation to her siblings, who remained close to her throughout her life, and her desire to pursue art. Wanda had a keen appreciation for music, learned from her family. She played the piano, sang in the Glee Club, arranged the school song in four parts, and was happy when her uncle Frank, who also made musical instruments, came to their house and played his guitar. They graduated together from high school in New Ulm in He offered to send her to the St. Paul Institute of Arts and Sciences and to pay her board at t he Y. Her sister Stella was able to teach school that year to support the family and in the fall of Wanda began classes, preparing for a career in illustration and commercial art. Wanda received early support from a number of individuals in St. Paul and Minneapolis. Among them was Arthur J. The real tree of you stands and will stand. He introduced her to his editor, Herschel V. Jones, who was so excited by her work that Jones offered to pay Wanda's tuition, room, and board at the Minneapolis School of Art on the spot. Wanda considered this and then accepted and moved to Minneapolis in December She returned home to New Ulm for the Christmas holidays, where Dehli was recovering from a serious illness. In New Ulm the holiday began with St. Nicholas's Day, December 6, but the tree trimming did not take place until December 24, and in the intervening weeks much effort went into making presents for every member of the family. They became close friends, discussing immortality, art, books, and religion, and after a few years, the pros and cons of marriage.

She sold little knicknacks and pictures to feed her young siblings. She trained in St.